THIS BLOG WILL REGULARLY FEATURE MATURE CONTENT. READER DISCRETION IS ADVISED.

Showing posts with label Person of Interest. Show all posts
Showing posts with label Person of Interest. Show all posts

Friday, September 23, 2011

Pilot Inspektor: "Person of Interest"

Is it safe?

Better be. Here comes "Entertainment on Jeff's Terms", once again ready to bring you thoughts and witticisms about the latest televisual entertainments to emerge in this, the Fall of 2011.

After a pretty dismal Monday, Tuesday and Wednesday brought this week back into the win column with their respective adorable comedic shenanigans and deliciously satisfying spats of justice.

Now, we come to Thursday, and our biggest glut of fresh options yet. You'll get my thoughts on NBC's two newest offerings (Whitney and Prime Suspect) shortly, but first let us jump back into America's #1 broadcast network with CBS' new Thursday night drama from the collaborative minds of J.J. Abrams and the Nolan Brothers, Person of Interest.

******************

THE GIST OF IT

I'm going to do something a little different here.

Over the past two weeks, I've brought you two of the most complex pilots in recent memory with last week's Ringer and this week's Revenge. Both of these shows however, I was able to pare the basic pilot premises into fairly comprehensive and yet pretty spoiler-free mini-recaps...but look up there. J.J. Abrams. Jonathan Nolan. It's not going to be that simple.

So, in the interest of information, I'm going to eschew my own take on the events and put you--just this once--in the capable hands of our good friend Wikipedia, who sums the show up thusly:

"Mr. Finch (Michael Emerson), a mysterious billionaire, has developed a computer program that predicts the identity of people connected to violent crimes that will take place in the future. However, the program has its limitations: for example, it cannot predict whether the person will be a victim, perpetrator, or witness, nor can it predict when or where the crime will take place. Unable to stop the crimes on his own, Finch hires John Reese (Jim Caviezel), a former CIA field officer who is presumed dead, to help stop the crimes from taking place."

...and that'll have to do you for now, because I'm not even going to wait to tell you...if you're interested in this show, GO WATCH IT before you read any further.

------------------

MOVING FORWARD

Even beyond the scarcity of promotional materials we've seen this year, you must bear in mind the people pulling the strings here. As such, the information is minimal at best. What we do know is that next week, Finch and Reese face an error in the computer program that forces Finch to recall the origins of his creation and question its usefulness. Seriously, that's all I've got for you.

------------------

IN ESSENCE, MY FRIENDS...

...hmm. Here's the thing. I can go ahead and tell you that I'm going to keep watching this show. What I can't tell you is that--to borrow a phrase from Doug Benson--it knocked my dick in the dirt...which it kind of didn't.

Truth be told, throughout the Pilot Inspektor experience, I've sort of been breaking one of my major rules of thumb in television, which was developed by a former acquaintance (or possibly co-opted from someone else and claimed by them; it's hard to be entirely certain...don't get me started) in a rare moment of pop cultural open-mindedness; that most shows take three episodes to become what they're going to be and that every show (to a fault) deserves those three possible strikes.

So, for the first time this season, I'm going to enact that rule as a direct reaction to Person of Interest. There's too much inherent potential here to just let it go at one episode. Now, this is not to say that it was a bad episode. It wasn't. It was just sort of "meh" when you consider the parties involved.

I'm optimistic though, especially with that admittedly paltry synopsis for next week's episode up there. Because as uncharacteristically procedural a show as this is from Abrams/Nolan, I also know neither camp will be able to resist slowly injecting a few Lostian questions in there along the way. There's always more to what we're seeing than just what's bubbling at the surface. (Unless it's Undercovers. Snip-snap, indeed.)

...and what of our cast? Jim "Jesus" Caviezel has the silent, slightly unhinged badassery down pat. Michael Emerson is as likably unnerving (if you will) as ever. Meanwhile, Taraji P. Henson and Kevin Chapman are weirdly kind of reprising their roles from Date Night (as high-ranking NYPD Detective Carter and seedy, corrupt Detective Fusco respectively), and yet it oddly works. It's particularly pleasing to see Chapman in such a high-profile role after countless years of great character work.

...I really am sorry about how short this review is going to end up being. I just don't think Person of Interest has shown me enough to fully analyze just yet, and I actually mean that as a pretty big compliment. Wow me, show. I know you will.

------------------

THESE ARE BLURBS

Scant remaining bitlets regarding Person of Interest...
  • The actor who played white gangbanger Anton (who for some reason is IMPOSSIBLE to track down on either IMDb or Wikipedia) seems to have found his niche, having played almost the exact same douchey urban white boy on this episode of FX's Louie last season.
  • Speaking of Anton and his gang, I highly doubt we've seen the last of them; his father in particular. You don't cast William Sadler just to get shot in the leg and ask "Who the hell was that guy?". If you hire Sadler, you've probably got some big plans for him.
  • ...and speaking of that scene...MAGIC. One of my most loyal readers was partial to the car escape scene as the pinnacle of this show's badassery...I must kindly err on the side of taking out a room full of at least 7 gangbangers with a single pistol clip in a matter of seconds. Beautiful.
  • There's part of me that cringed a bit at the flashback scene of Reese and his presumably long-dead lover watching the events of 9/11 unfold on television. Now, admittedly, they tied it in well with the explanation that the creation of Finch's system was a direct reaction to that day, but still...I look forward to a time when it stops being used as a plot device.
  • PERSON OF INTEREST AIRS THURSDAY NIGHTS AT 9pm EST ON CBS!
******************

...and quietly yet promisingly, there went that.

Join me again later today for my look at NBC's new Thursday night comedy Whitney and their new Americanization of the beloved British drama Prime Suspect. Will there be laughter? Will there be dark police procedural-ness? You'll find out shortly.

Tuesday, May 24, 2011

The Fall of Broadcast Television 2011: The Belated and Retooled Conclusion a.k.a. The Fallies

TWO DAYS LATER...

Hello and welcome my friends, to the last-minute, nonexistent awards show blog entry that I've decided shall take the place of a staid, uninteresting all-network, analytical look at this fall's primetime network television schedule!

YES! It's the first annual "Entertainment on Jeff's Terms" FALLY AWARDS!

Today, I will be recognizing the most intriguing (and in one special case; most horrifying) new series set to hit your screens this September-ish!

The following "awards" will be presented first by network, in order of the network's overall standing on television; followed by a special award for utter lack of excellence in television achievement; and then "THE BIG TWO" (nobody calls them that...yet), OVERALL MOST PROMISING NEW SERIES - COMEDY and OVERALL MOST PROMISING NEW SERIES - DRAMA!

...and now here to present the first--erm--well, ALL of the awards today, ladies and gentlemen...IT'S ME, JEFF HEATHERLY!

[APPLAUSE]

******************

MOST PROMISING NEW SERIES - THE CW: RINGER


Now, let's just be brutally honest right from the off. As you may have seen, The CW's new offerings are short in supply and tentatively possibly good at best. Having given myself the past two days to really let everything I've seen simmer in my head, I'm starting to see more potential in Ringer than at first glance. In my CW-specific entry, I compared it to The Fugitive and the more I thought about that, the more excited I got. There aren't many (if any) shows like that around anymore; what with the lone protagonist, mournfully shambling across the country, running from some pursuing force, setting things right that once went wrong and hoping each time that their next leap will be the leap home. ...Wait, what was I talking about?--Right. Ringer. Point is, if it lives up to that tradition, I could see myself enjoying many-a-Tuesday night with our former Slayer.
AIRING TUESDAYS AT 9/8c ON THE CW THIS FALL!

------------------

MOST PROMISING NEW SERIES - NBC: (tie) THE PLAYBOY CLUB and FREE AGENTS


Before I begin, let me sincerely apologize for the music. Clearly, between last week and now, NBC has lost the online rights to pretty much every licensed song in these trailers--save for "Car Wash"--and I truly hope it didn't affect your enjoyment. (Honestly, it almost did for me...especially those godawful Sinatra and Tina Turner sound-alikes in the Playboy Club trailer.) With that out of the way, let me also qualify these selections as actually being the SECOND most promising shows on NBC this season (as you'll see coming up later)...but this is no slight to them. Since doing my network-by-network entries, I've been giving both these shows a lot more thought.
I've had a pretty strong inner debate in the battle of Playboy vs. ABC's Pan Am, and the fact is Hef keeps winning. A much more engaging cast, a greater sense of whimsy, thoroughly more eye-popping visuals (STILETTO HEEL IN THE EYE!)...it just looks a hell of a lot more fun. Like I said in my ABC entry, from a purely...Emmy-grabbing perspective, Pan Am's probably got the bunnies beat...but I'm in the mood to have a good time this season, and I think this one will provide.
Speaking of which, Free Agents. This go-round with the trailer, my mind wandered to another great NBC sitcom that flourished--for the most part--outside of the Thursday night line-up: NewsRadio. The two shows have taken a very similar--and very welcome--tack by having our romantic leads get the first secret sexual tryst out of the way right out of the gate, leaving the will they/won't they drama out of the equation and giving the writers room to focus on the non-stop funny. Come on, America. Hank Azaria has deserved his shot for A LONG TIME. Let's give it to him right here, right now. (SUGGESTIVE!)
THE PLAYBOY CLUB AIRING MONDAYS AT 10/9c ON NBC THIS FALL!
FREE AGENTS AIRING WEDNESDAYS AT 8:30/7:30c ON NBC THIS FALL!

------------------

MOST PROMISING NEW SERIES - ABC: APARTMENT 23


Oh, rest assured, readers; I am as shocked as you are right now. This call literally came down the moment before I typed the title of the show up there. I was fully prepared to give the push to Once Upon A Time (which, once again, is more likely the better/more successful of the two "fairy tales are real" series this year), but then I just realized...GOD, I want to see this more. Seriously, if I could pick one of these two shows to premiere tonight...it's this. I just keep thinking about all the potential shenanigans our fictionalized version of The Beek is going to get into; my inexplicable swooning for Krysten Ritter despite never having seen a single thing she's been in; laughing...really, just laughing. I'm in a pretty dark place in my life right now personally, and this year, I want to enjoy myself. I want to be engaged by something. Make me laugh, you former untrustworthy bitch, you.
AIRING MIDSEASON ON ABC!

------------------

MOST PROMISING NEW SERIES - FOX: ALCATRAZ


Don't you just love that "Oh, snap! Shit's about to get REAL!" feeling? Over the past decade or so, no one has provided that feeling better than J.J. Abrams and the folks at Bad Robot Productions, and Alcatraz looks primed to carry on that tradition. Watching the trailer this time around, I found myself--more than anything--tremendously happy to see familiar faces like Jorge (HURLEY!) Garcia and Dr. Alan Grant/Merlin himself Sam Neill (who's gotten depressingly jowly over the years) on my screen. Let's be honest with ourselves. Out of all the former cast of Lost, nobody came away with more public goodwill than TV's Hugo Reyes, and in a Fall where it seems familiarity is a big selling point for a lot of shows, I can't deny smiling biggest at the sight of our favorite cursed lottery winner. Pop in cinema's most beloved paleontologist and BOOM!--We've got a show.
AIRING MONDAYS AT 9/8c MIDSEASON ON FOX!

------------------

MOST PROMISING NEW SERIES - CBS: PERSON OF INTEREST


(Hello again, J.J.) Jesus and Ben Linus are going to fuck some people up...and it's going to be ridiculously entertaining. In (roughly) the week since I first watched this trailer, the first viral marketing campaign for Christopher Nolan's The Dark Knight Rises (co-written by Person creator/co-executive producer Jonathan Nolan) has begun. Late last week, we all got our first look at Tom Hardy as Bane in next summer's final chapter of this particular Batman universe. Somehow--as minutely related as it is--it got me even more excited about this show. Seriously, to combine two of geekdom's most formidable figures (Abrams and The Nolans) is tantamount to the legendary (and fictional) creation of Reese's Peanut Butter Cups. Two great tastes that taste great together, indeed.
AIRING THURSDAYS AT 9/8c ON CBS THIS FALL!

------------------

Before I get to our next award, I just want to take a moment to apologize for what I'm about to unleash upon you yet again. There are some pieces of "entertainment" that are so startlingly awful; so impossibly horrendous; so incredibly inexplicable in their mere existence that it forces one to ask a very powerful question: HOW DID THIS GET MADE? Five months ago, beloved comedian and Human Giant alum Paul Scheer established a podcast that set out to ask that very question about some of the most reviled and embattled films of all-time. However, this isn't a movie. This is a television show, so allow me to shamelessly (and respectfully) take Mr. Scheer's name and the title of his fantastic podcast and present you with the following...

THE UNAUTHORIZED PAUL SCHEER "HOW DID THIS GET MADE?" AWARD FOR TELEVISED AWFUL: WORK IT


I just have to say it again. Go to hell, ABC. The only bright side to Work It (which is the part where you ask "There's a bright side?") is that months from now if--by some act of utter Satanic evil--this trash actually makes it to air, you can use it to gauge who's really essential in your life. If you meet a single person who has the slightest interest in this show and/or enjoys it--and this is only because murder is illegal--you can feel secure knowing you'll never want to interact with that theoretical moron of such impeccably malignant taste ever again...and that's always a nice feeling. Certainty is nice, isn't it? Oh, and once again, go to hell, ABC.
AIRING HOPEFULLY NEVER (OR--GOD HELP US--MIDSEASON) ON ABC!

------------------

...and now, if you survived that, here's your reward! It's time for the two biggest awards of the entry...

OVERALL MOST PROMISING NEW SERIES - COMEDY: SUBURGATORY


After a nearly decade-long slump, ABC has really struck gold in comedy lately. With greatness like Cougar Town and inexplicably popular/award-winning fare like Modern Family and The Middle, they've finally--(with the exception of the preceding Fally Award winner)--made a massive leap away from their reputation as the network that gave According to Jim airtime for an impressively terrible EIGHT SEASONS. Suburgatory, with its great cast and crew, looks to be another feather in the Disney-owned network's comedy cap. Oh, and before anyone decides to get snarky about it--OF COURSE, they scored points with me for Tessa Altman's visual and stylistic resemblance to my beloved Emma Stone. (No shame in my game.)
AIRING WEDNESDAYS AT 8:30/7:30c ON ABC THIS FALL!

------------------

OVERALL MOST PROMISING NEW SERIES - DRAMA: AWAKE


That was the third time I've watched that trailer since I covered NBC last week. There has yet to have been a single viewing of it upon which I haven't (1) started to tear up pretty immediately and (2) not immediately followed watching it by shaking my fists in the air and audibly yelling "WHY?! WHY ARE YOU NOT ON MY TV RIGHT NOW?!". I reiterate what I initially said about this: that this isn't airing until midseason is absolutely ASTONISHING to me. I haven't been so passionate that a show be given a chance to succeed in...longer than I can even remember. This show's presence is nothing short of ESSENTIAL to my 2011-2012 television season, and honestly, I can't fathom how anyone could possibly disagree. Over the last week, I have seriously contemplated organizing some sort of campaign to preemptively save it from even the remotest possibility of cancellation or even to get its premiere moved up to the late Fall. Bar-none, this will be THE BEST NEW SHOW OF THE SEASON. This is the one time...THE ONE TIME...I truly need NBC to not fuck up. Another reiteration: THIS IS YOUR LOST, NBC. THIS WILL SAVE YOU. PLEASE LET IT.
AIRING MIDSEASON (OR--FINGERS CROSSED--SOONER) ON NBC!

******************

...and that concludes the first annual "Entertainment on Jeff's Terms" Fally Awards! I hope you've enjoyed this special second look at the season's most promising new network series, and please TELL YOUR FRIENDS ABOUT THESE SHOWS.

ESPECIALLY AWAKE.

I shall return soon with more rantings, ravings, and ramblings.

Until then, this was only acceptable in 1980, ABC. You fucked up. BIG TIME.

I'M WOLVERIIIIIIIIIIINNNNNNNNNEEEEEE!!!!!

Saturday, May 21, 2011

The Fall of Broadcast Television 2011: CBS/The CW


Hello once again, my dear readers!

Welcome back to my weeklong look at the new entertainments issuing forth from this week's 2011-2012 network upfronts!

Don't forget to come back tomorrow for a comprehensive look at the entire network slate; sure to be the most complicated thing I've written here all week.

Right now though, let's round things up with the new offerings from TV's unblinking eye, CBS; and when that's over, we'll take a look at the few new attractions from their baby sister network, The CW.

From the #1 network to the #5 network, let's see what's in store together. (You know the drill. New shows in ALL CAPS, schedule changes in italics.)

******************

CBS MONDAY:
8-8:30pm - How I Met Your Mother
8:30-9pm - 2 BROKE GIRLS
9-9:30pm - Two and a Half Men
9:30-10pm - Mike & Molly
10-11pm - Hawaii Five-O


2 BROKE GIRLS: The way I express my feelings of attraction has often been described as a "gayness for girls", which makes my feelings with regard to Kat Dennings extremely uncharacteristic of me. She makes me staunchly straight, and I'm somewhat ashamed to say the following: her chest FASCINATES me. I feel a bit more justified though in saying that that's about as close to having any interest in watching this show as you're going to get from me. It's a CBS sitcom, so it pretty much has to follow the standard--excepting The Big Bang Theory and to a growing lesser-and-lesser extent How I Met Your Mother--of being astonishingly bland, yet drawing the highest ratings in network television that week. In short, this show will be just fine...just not with any of my help. (By the by...seriously...how many "favors" did Chelsea Handler do for how many networks this year?--Her regulars keep popping up everywhere.)
MY VERDICT: A bland premise, a laugh track, and a pretty unappealing cast beyond Dennings just won't do for me. There aren't enough vehemently heterosexual fantasies in my head to change my mind.

******************

CBS TUESDAY:
8-9pm - NCIS*
9-10pm - NCIS: Los Angeles
10-11pm - UNFORGETTABLE

*Guess I didn't account for shows with abbreviated titles when coming up with my code. Oops.


UNFORGETTABLE: A few months back on a very funny episode of Kevin Smith's SModcast, my hero and his longtime producer/co-host Scott Mosier discussed hyperthymesia, the condition that allows the protagonist of this series--played by former Without A Trace star Poppy Montgomery (A GINGER! [swoon])--her (I would argue, cartoonishly) panoramic memory. Believe it or not, the statistic quoted in this trailer (only six people in America) is by all accounts, accurate; and randomly one of those people happens to be former Taxi and Evening Shade star Marilu Henner. While I do agree that that's all pretty fascinating, I've known for a long time that CBS' cavalcade of police procedurals are pretty universally not for me. I realize I'm batting 0-2 right now in terms of in-depth analyses, but the fact is, this network is as successful as it is because it always plays it safe...and only just safe. There is very little distinguishable from one show to the next. (Hell, doesn't Jerry Bruckheimer produce, like, 85% of all CBS dramas at this point?) So, out of fairness, I'll just say this. This doesn't look bad at all. I'm sure it'll be a hit.
MY VERDICT: Outside of my universal love for the ginger, there's not much drawing me to this; yet another CBS police procedural. If some J.J. Abrams-like twist rolls in at some point, do let me know, but otherwise, I've got other things to watch.

******************

CBS WEDNESDAY:
8-9pm - Survivor
9-10pm - Criminal Minds
10-11pm - CSI: Crime Scene Investigation

******************

CBS THURSDAY:
8-8:30pm - The Big Bang Theory
8:30-9pm - HOW TO BE A GENTLEMAN
9-10pm - PERSON OF INTEREST
10-11pm - The Mentalist


HOW TO BE A GENTLEMAN: GOD...I wish this looked better than it does. There's too much awesome involved for it to look this...meh. Let's just get how great this cast is out of the way. At the top, we have David Hornsby--best known as the hilariously tragic former priest Rickety Cricket on It's Always Sunny in Philadelphia--who also co-created this show. I've been a big supporter of this guy for years; from all the way back when he was "the asshole" Hutch on Spike TV's brilliant (you'll never hear that phrase again) reality TV spoof The Joe Schmo Show; a show that also notably launched the careers of Kristen Wiig and Kevin Smith's Hollywood Babble-On co-host Ralph Garman. Then you've got the rest of the list. DAVE FOLEY! RHYS DARBY! MARY-LYNN RAJSKUB! Kevin Dillon. Outside of that last one, this should be a dream collaboration...but it just doesn't look it. HOWEVER(!)...I'm feeling optimistic/generous right now. I'm going to keep my fingers crossed that this is just a case of a bad trailer. Because if so, CBS may have just made a regular viewer of just one of their primetime series out of me.
MY VERDICT: I need this show to be as good as its cast, so I'm going to give this a try in the hopes that maybe...just maybe...it gets there.

------------------


PERSON OF INTEREST: Okay. Forget what I just said...because THAT is how you make Jeff Heatherly a regular viewer of a CBS primetime series. If I ever meet the person who turned on the "Things Nerds Love Randomizing Generator" and had it come up with "J.J. Abrams meets the Nolan-verse", I'm going the shake the bloody fuck out of their hand. Now, I'll admit; in terms of all the prospective Michael Emerson/Bad Robot collaborations that have been tossed out since the end of Lost, I would have been just slightly more interested in the proposed series that would have co-starred the former Benjamin Linus and the former John Locke (Terry O'Quinn, in case you didn't know...but let's face it; you did) as retired C.I.A. operatives doing freelance mercenary/spy work...but I suppose this will have to do. I dig the cast. I dig the atmosphere. I dig the look. I dig the people behind it all. Folks...I DIG THIS.
MY VERDICT: Well done, CBS. I'm TOTALLY in.

******************

CBS FRIDAY:
8-9pm - A GIFTED MAN
9-10pm - CSI: NY*
10-11pm - Blue Bloods.

*See above.


A GIFTED MAN: First, a demand of Hollywood: you need to cast Patrick Wilson and Chris Pratt as brothers in something IMMEDIATELY. Second, you need to cast Patrick Wilson in something that isn't THIS. Like most CBS shows, this doesn't look all that bad, but it also doesn't look all that good either. After all, that's their m.o.: harmless (and RIDICULOUSLY successful) mediocrity. Cinema's Nite Owl II deserves better. ...God, even that seems too harsh. Would you, the reader hate me if I just said...
MY VERDICT: ...no thanks. I honestly can't muster the energy to discuss this any further. I just don't care.

******************

FINAL THOUGHTS - CBS:

Wow. That couldn't have petered out any harder if I'd tried...but, so goes CBS.

COMEDY! (That was me trying to wake myself up.) We've only got two options here, and for its infinitely larger potential for quality, I give my support to How to Be A Gentleman. However, logic would dictate that the winner of the day will be the insipid (yet visually pleasing) 2 Broke Girls. It's a comedy (or probably more appropriately "comedy"). On a Monday night. On CBS. It'll be on for, like, nine years.

DRAMA! (Okay, I'm awake.) PERSON. OF. INTEREST. Let's be honest. When's the last time CBS gave a truly serialized primetime drama a fair shot? (Have they ever?) Even better question: how often are two such formidable nerd worlds (J.J. Abrams and the Nolans) going to collide like this? I have to hope that this show's marked difference from the usual dramatic fare on this network doesn't hurt it AND that its cushy timeslot (where CSI: used to reside) will be enough to sustain what looks to be a thoroughly original and thoroughly engrossing hour of television...and you know, if worse comes to worse, maybe J.J. will give The Ben/Locke Funtime Retired C.I.A. Kickass Variety Hour another try. Unforgettable might have a microscopic chance of garnering my attention with its lovely ginger, but that's--I reiterate--a microscopic chance. Once again, I kindly decline, A Gifted Man.

...and just as soon as it came, so ends my look at CBS.

BUT WAIT! THERE'S MORE! Journey with me now to the dank David Fincher-esque basement of the CBS household, where chained to a radiator we find its wild, unbroken, feral little sister The CW, and its small bag of new product...

NOTE: In an effort to keep their reputation as the little network that could but usually doesn't, the fine folks at The CW have neglected to provide trailers longer than 31 seconds apiece. However, they HAVE included longer (and more telling) actual clips from the shows, hence the impending overload of video content. I do apologize.

******************

THE CW MONDAY:
8-9pm - Gossip Girl
9-10pm - HART OF DIXIE


HART OF DIXIE: I'm proud to say I never watched a single episode of The OC, so I got to know Rachel Bilson through alternative (and much more bearable) means such as her role in The Last Kiss and her recurring role on Chuck a few years ago. My standard feeling on her is that she's adorable and so tiny that you just want to carry her around in your pocket. My more educated feeling is that she's not ever going to be the reason why I watch something. Now, the thing is--and this is probably going to shock some people--I kind of ACTUALLY want to see this. I've lived in the south my entire life, and no matter how much I despise what it stands for politically and culturally...it's home. Watching these clips reminded me of the simpler love I had for my region before I turned 15 and started seeing through the bullshit. I kind of long for that. That's why I have such an appreciation for things like Fried Green Tomatoes, Smokey and the Bandit, and Mama's Family. I got that same warm, nostalgic feeling watching those clips. I'm truly sorry I'm about to say this--especially considering that Nancy Travis' presence means this show will be dead before January--but...
MY VERDICT: ...I'm going to watch this. That's where my brain is right now. I'm sure my DVR will end up being too busy on Monday nights to let me...but right now, I'm saying yes. (What the hell is happening to me?)

******************

THE CW TUESDAY:
8-9pm - 90210
9-10pm - RINGER


RINGER: As a die-hard fan of that show, I can tell you with the fullest confidence that no one--I repeat, NO ONE--watched Buffy the Vampire Slayer for Buffy, and I won't deny it; that attitude lost Sarah Michelle Gellar a lot of goodwill with some people. So trying to sell this show almost SOLELY on her return to network television may not be the best tack to take. To be fair though, this show may not be able to sell itself alone, either...and that may be no one's fault. Its plot is fucking SERPENTINE AS FUCK. I'm not even going to attempt to explain it, so I'll just provide you with this link to the show's official "about" page and wait for you to read it before we continue, m'kay? ... ... ...Okay, now let's get down to it. Despite everything I just said up there, I'm rather happy to see our Slayer back on TV. I don't know, but watching those clips took me back to those halcyon days of putting a Y on the end of every word to turn it into an adjective and Xander getting back the memory of seeing King Ralph. Do I think this will be remotely as enjoyable/memorable?--Hell no. Does it have the potential to be an interesting watch?--Yes. I mean, to be fair, it'll be much more intrigue and skulduggery (I'm 65-years-old) than demons and asskickery, but with such an expansive concept right from the off, this could be a really gripping experience in a very The Fugitive kind of way. Plus, it boasts the network television return of yet another former Lost cast member in the form of the undeniably dreamy, perpetually (and naturally) eye-lined ex-Richard Alpert, Mr. Nestor Carbonell. There's a definite initial draw here, at the very least.
MY VERDICT: I'll watch the pilot, to be sure. In terms of my level of interest, we're about where I was with Nikita last year, and look at how AWESOME that ended up being. (YAY for Season 2!) Let's do this, Slayer.

******************

THE CW WEDNESDAY:
8-9pm - H8R*
9-10pm - America's Next Top Model

*Ugh...and that's capitalized, too.


H8R: Fuck you, A.C. Slater. For making me type the moronic title of your show TWICE, and for creating probably the second-biggest piece of garbage (check the last show of my ABC entry for the biggest) on network TV this fall. I'm not even going to explain this one, so...I don't know, here's another "about" link. ...You know, there's a sick part of me that could appreciate this show if--AND ONLY IF--the people being "hated on" didn't deserve EVERY OUNCE of it. (I gave you the above clip because it was the shorter of the two preview clips available, so you're welcome; although, if you want to see someone call Snooki a "drunken slob" to her face, feel free to check out the other one at your own risk.) Ugh. ...Just...UGH.
MY VERDICT: I don't know if there's a clearer way to say FUCK NO.

******************

THE CW THURSDAY:
8-9pm - The Vampire Diaries
9-10pm - THE SECRET CIRCLE


THE SECRET CIRCLE: Somebody decided to combine the feminism and sorcery of The Craft (which I only saw for the first time recently and loved the fuck out of it) with the emo facial expressions and sparkly abstinence of Twilight (the worst thing to happen to pop culture in...maybe ever) and this was the result. If you're interested, then go ahead and watch this. If you're not, congratulations; you're intelligent and have decent taste. (Poor Natasha Henstridge.)
MY VERDICT: Light as a feather, stiff as a board made of NO FUCKING WAY.

******************

THE CW FRIDAY:
8-9pm - Nikita
9-10pm - Supernatural

******************

THE CW MIDSEASON (Timeslots TBD):


REMODELED: So...Kitchen Nightmares for modeling agencies?--Pretty much. I gave you this clip because it seemed more introductory to our Gordon Ramsay of the fashion world, Paul Fisher. (The other slightly more hateful (but in the most cattily entertaining way possible) clip features Fisher tossing pictures of this agency's models across a room yelling, "NOT A MODEL! NOT A MODEL!".) I can certainly see where the kitschy, Vh1 reality-esque appeal is here, but I can kindly say I'm not remotely this show's true demographic. Maybe someday I'll end up watching it with a friend or a lady I'm courting, but otherwise, it was nice meeting you Mr. Fisher. Goodbye and God bless.
MY VERDICT: I have no further pressing business with this show, but hey, when it inevitably (and justly) ends up replacing H8R (DAMN YOU, SLATER! A THIRD TIME!), I'll certainly tip my cap to it.

******************

FINAL THOUGHTS - THE CW:

Oh, The CW. I wish you were still the two other networks you used to be. Let's get started.

Okay, comedy! ...Oh. Right. Okay, CW. Your assignment for next year: GET SOME COMEDIES.

So, drama then. For purely sentimental reasons, I'm putting my weight behind Hart of Dixie. It probably won't survive past January, and not just because of the Nancy Travis curse. It honestly looks too sweethearted and genuine for...pretty much everything else on this network. So, realistically, my second choice is Ringer. Like I said, I don't know if putting the full brunt of your marketing campaign behind the return of Sarah Michelle Gellar to television was the best move, but the show definitely has potential. (Resist the urge to make a Season 7 Buffy joke, Jeff.) Finally, The Secret Circle will be huge because of its timeslot and because young people of today have worse and worse taste as the generations go on, so...yeah.

Oh...God help me, I'm about to do a paragraph about reality television. (Lord, beer me strength.)

In all seriousness, when this season is over, I want to find each and every copy of every episode of...The Mario Lopez-Created Reality Show That Must Not Be Named Again and ABC's Work It and set them ablaze. Nothing else this season looks more vile. Remodeled could be fun, though. I won't be making a point to watch it...but it could be fun.

...and mercifully, so ends my look at The CW, and indeed my individual looks at all the broadcast networks' new output for 2011-2012. I won't lie. It's not going to be the best year; something I'll cover a bit more thoroughly tomorrow when I take a look at the collective day-by-day schedule of all five networks in my network upfronts wrap-up.

Until then, never forget. (No, seriously, don't. That movie is AWESOME.)

WE ARE AS GODS!